Hindemith Chord Classification
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Hindemith's Chord Classifcations
I. no seconds, sevenths, or tritones (major and minor triads only)
I.1 root in bass
I.2 root above bass
II. at least 1 tritone, m7, and P5 or M3
II.a. contains tritone and m7 (only),P5 or M3 (dom7 R357 and R37)
II.b.1 contains tritone, P5 or M3, and any M2 or m7, root in bass
II.b.2 as above but root is above bass
II.b.3 same as II.b.1 or II.b.2, but contains more than 1 tritone
III. no tritones, includes seconds and sevenths
III.1 root in bass
III.2 root above bass
IV. includes m2 and tritones
IV.1 root in bass
IV.2 root above bass
V. no tritone, root indeterminate (augmented triad, perfect quartal triad)
VI. contains tritone, root indeterminate (diminished triad, dim 7)
Notes:
1.
Sub-groups I, III, V form Group A (no tritones)
2.
Sub-groups II, IV, VI form Group B (include tritones)
3.
Hindemith suggests a possible subdivision of group III: III.a (excluding m2/M7) and III.b (including m2/M7)
Instructions

Click the pitch class buttons to enter a chord or set (work your way up through the chord voicing starting from the bass).

Click analyze.

PMNSDT Templates

Interval Vector Templates

Determining Chord Roots